shoot for the final print (part 1)…
March 31, 2009Over the past few years, we have received a number of calls and emails from photographers regarding our images and how we get them to look the way they look. I wanted to take the opportunity to show a couple of tips to help make your images “sing” whether viewing online or viewing in print. So go grab a cup of coffee, kick your feet up and enjoy… We’ll be posting tips from time to time for professional photographers and amateurs alike.
This is an image of Becky shot last summer and some of the steps from capture to print.
First of all, in preparing for a shot, I really try to envision the final print. After a shoot, I typically already know which images will be black and white or color or specially toned because that was the way I shot it. Sometimes there are distracting colors that are eliminated if converted to B&W and sometimes color will create the specific mood we are looking for. Pre-visualizing what your edited image will look like is important to setting up your camera and/or lighting scenario.
Secondly, we need to discuss camera settings… We shoot Nikon as well as occasionally Canon systems. I believe you can create amazing images on any camera system if you know your camera’s strengths and limitations. This shot was taken with a Nikon D2X with a Nikkor 17-35 2.8 lens. We always capture in RAW as I want the highest quality for the final print and this format allows for more manipulation without degrading the file. As well, we shoot in Adobe RGB ‘98 color space as opposed to sRGB. We do the majority of our own printing and RGB ‘98 gives us a greater color gamut for our own printing. If you are strictly using a lab (in the US), stick with sRGB as labs typically use that color space. I typically shoot with low saturation, low contrast, etc.–I want the image flat out of camera as I can adjust that in Lightroom. Contrast is much easier to add than it is to take away. I also want my sharpening to none or low. My last step in post production is to sharpen for the output desired. If the image is already sharpened in camera, I risk creating the ever-so-evil “jaggies”.
So I’m set to shooting fairly flat in-camera and I’ve decided on a wide-angle lens for this particular shot to bring in the background. For this image, I shot at an ISO of 125, 1/200 at f10. Normally, I shoot wide-open apertures to separate the subject from the background, but in this shot, I wanted to bring in a lot of detail in this beautiful background. I used an off-camera flash at camera left to add a little fill. I wanted the background slightly underexposed as bring out the clouds in post. A good rule of thumb is to meter the sky and drop your exposure by 1/2 to 1 stop if using an off-camera flash to light up your main subject. This will produce a rich sky while correctly exposing your subject. With this shot, we wanted Becky to look into the distance so the viewer really draws in the background as well.
{BEFORE }

{ AFTER }

Stay tuned for the exciting conclusion in part 2, the post-processing of the image! Oh, I know you’re excited…